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THE CULT

As the opening act on Billy Idol’s Whiplash Smile tour, fellow-Englanders the Cult have turned up the volume and are tearing up the arena-rock circuit. The old flower-power sound of The Cult’s early records has been sliced up and rearranged with a straight-ahead hard rock guitar, as featured on the band’s appropriately titled new Electric album.

July 2, 1987

The CREEM Archive presents the magazine as originally created. Digital text has been scanned from its original print format and may contain formatting quirks and inconsistencies.

THE CULT

As the opening act on Billy Idol’s Whiplash Smile tour, fellow-Englanders the Cult have turned up the volume and are tearing up the arena-rock circuit. The old flower-power sound of The Cult’s early records has been sliced up and rearranged with a straight-ahead hard rock guitar, as featured on the band’s appropriately titled new Electric album.

Produced by Rick Rubin (whose studio skills helped propel Run-D.M.C and the Beastie Boys to top 10 success), the Cult’s new record is rock in the tradition of Led Zeppelin and Aerosmith, but with a slick ’80s feel, the nationwide touring of the Cult-featuring vocalist Ian Astbury in his black shoulder-length hair, Billy Duffy slicing out chords on his Gretsch guitar, and backed by the rhythm section of drummer Les Warner and bassist Jamie Stewart—is apparently a success. Besides playing encores almost every night (which is somewhat unusual for an opening band), Billy Idol himself has been seen dancing to the music.