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THE CLASH: THEY WANT TO SPOIL THE PARTY-SO THEY’LL STAY

CREEM contributor Mark Norton and I were talking several days before the Clash "invaded" Detroit, and we began discussing the concept of "armchair activism" and how the Clash probably fit into that category.

October 1, 1984
Bill Holdship

CREEM contributor Mark Norton and I were talking several days before the Clash "invaded" Detroit, and we began discussing the concept of "armchair activism" and how the Clash probably fit into that category. Mark pointed out that there's currently a voguish literary movement of poets and writers speaking put against the turmoil in Central America, and (using Joan Didion's recent book on Salvador—which he says is "terrible"—as an example) he added that, for the most part, it's a pretty limp* wristed political mechanism, "War is bad," they say, "but evil dictatorships should be stopped." To which the only sane reply might be: "How perceptive!" (Or an alternative reply, courtesy of Lenny Bruce, might be: "Wnat 'should be' is a lie.")

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