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THE BEAT GOES ON

DETROIT—Dance music has seen much change in the last few years—with the “Death to Disco” bell sounding nationwide, a funk revival was bound to come dancing out of the closet sooner or later, and it has surfaced in the form of people like James Chance/White and the Contortions, and Lizzy Mercier Descloux, shaking their collective money-makers to a fortified funk beat.

April 1, 1980
Mark J. Norton

THE BEAT GOSE ON

The Great Funk In

DETROIT—Dance music has seen much change in the last few years—with the “Death to Disco” bell sounding nationwide, a funk revival was bound to come dancing out of the closet sooner or later, and it has surfaced in the form of people like James Chance/White and the Contortions, and Lizzy Mercier Descloux, shaking their collective money-makers to a fortified funk beat. Detroit has a worthwhile addition to this happyfooted family, with the group Gary Fabulous and the Black Slack.

I caught the Fabulous One at a local new wave dub called Nunzio’s in Lincoln Park. Here is a group that is all black, with dirty white boy Gary fronting, howling like a strange hybrid of Bryan Ferry and A1 Green. A great concept, and a fun one too.

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