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Alice Cooper’s Monster Mash

Alice Cooper hasn't forgone the music biz for the putting-green and daytime TV, he just took an extended station break.

June 1, 1975
Jaan Uhelski

The CREEM Archive presents the magazine as originally created. Digital text has been scanned from its original print format and may contain formatting quirks and inconsistencies.

Alice Cooper hasn't forgone the music biz for the putting-green and daytime TV, he just took an extended station break, but now he's back peddling his Hollywood hijinks, so don't touch that dial! A ticket to Alice's new traveling show is actually an invitation to a wonderfully strange and public slumber party, hosted by that old snake charmer himself, the Coop. He entertains his guests from his Sealy-Posture-Pedic, which is decorated in early cemetary and late smoke screen. Metal skulls and unidentified stuffed effigies dangle from the bent steel bed posts that seem to imprison Alice in a somnambulistic sideshow, featuring such strange bedfellows as a ghoulish quintet which one assumes is the back-up band but could easily be taken as recent grads from the Cincinnati School of Mortuary science. A review of depraved dropouts from the Rockettes provide some curious choreography as well as doubling as props in these nocturnal antics; snarling savages, perPrice makes his audio appearance, which athings. Even that vexing old coot, Vincent Price makes Ms audial appearance, which along with a hemp-woven web, provide a macabre backdrop for a bristling battle between Alice and four fiesty she-spiders. Very Edgar Allen ... Again, the unsuspecting Alice is caught in a bruising embrace with a lumbering cyclops who seems to have strayed from the Saturday matinee. The one-eyed, one horned monster meets our mythic media monster in a clumsy duel where the overmatched Alice manages to behead the rubber beast. Coop d'etat!