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Rewire Yourself

Hey Kid, Wanna Be A Big Wheel?

When you’re in a recording studio one of the first things you notice is the, size of the reels of tape.

June 1, 1974

The CREEM Archive presents the magazine as originally created. Digital text has been scanned from its original print format and may contain formatting quirks and inconsistencies.

When you’re in a recording studio one of the first things you notice is the, size of the reels of tape. The familiar little plastic reels used for home recording are not to be found, instead dull aluminum reels, almost a foot across, spin around at breakneck speeds. During the last few years these large reels of tape have also been making their appearance on what the electronics industry calls “semi-professional” tape recorders. The 10.5 inch aluminum reel has become the symbol of this type of home recorder, indicating that it has professional potential.

There are three common big reel types. All are 10.5 inches in diameter, but one has a small center hole similar to the hole in 7 inch, 5 inch, and 3 inch reels. The other two have large holes which are mounted on what are called “NAB hubs.” These are large plastic or metal centers corresponding to the large holes in the middle of the reel. These hubs are designed so that the reel is locked onto the hub — the hub itself is locked onto the spindle of the platen of the tape recorder — assuring secure placement and rotation of the reels. 10.5 inch reels with hub hole centers come in two varieties: a complete reel and flanges. The complete reel is the most familiar — it is illustrated in the photo of the Pioneer tape recorder accompanying this article. The tape is store t on the reel which can be broken into tWo parts, each called a flange. The tape is wound around a plastic loop known as a core (the core has grooves on its inner circumference which match protrusions in the hubsand assure a tight fit). With the flange method the tape is stored in a box on a core (the tightness with which tape is wound on the core allows it to be stored without any protection to the sides of the tape) and when it is needed it is taken out of its box, a flange is put on the tape recorder platen, the core is put on over the flange, and then another flange is put on top of the tape, so that a complete reel is created although the reel is only used when the tape is on the machine and not during the tape’s storage.

10.5 inch reels have many advantages. First, they hold more tape, especially helpful when recording at high speeds. The second advantage is that aluminum reels are difficult to warp or bend out of shape — not the case with plastic reels. (There are some large reels, especially those with small center holes, which are made out of fiberglass or plastic and do warp; try to avoid them.) Third, large reels are much easier to manipulate when you are editing tape. The wide, flat surface of the reel is ideal for “jockeying” the reels back and forth so the tape can move across the heads and find the edit point. Finally, you can mark up aluminum reels with a grease pencil for temporary identification of what’s on the reel and when you’re done a little alcohol will take it right off. One additional feature of big reels, outlined above, is that the tape can be run off onto a core for storage in a box without reels — although this can also be done with smaller reels of tape, provided you have a tape recorder which takes a hub and core.

These are all-important advantages for the serious recordist. Personally I’d like to add that big reel tape recorders look tough. Within the electronics industry they have become the symbol of the higher priced end of the line. Most selonoid-operated, 7.5/15 ips machines with editing facilities take a large reel.

The Pioneer RT-1020H illustrated is a perfect example. The price tag is $649.95, list. The features match the cost, however. Besides taking 10.5 inch reels and using NAB hubs, the RT-1020H has three motors, three heads (allowing you to actually monitor your recording as it is recorded), 15 ips pro speed, four-track playback and stereo record, independent line input and microphone inputs, precise equalization amps, and a three position bias selector to give precise bias no matter what type of tape is used. Assuming the signal that went into the machine was in good shape, you could record an album at home that would be of professional quality on this type of machine. %