Ian Underwood Whipt It Out
Ian Underwood Whipt It Out (Live on stage in Copenhagen) (5:08) Underwood is a very good free alto sax player. He whips it out, with, against, around, and under the strict laborious drum beat. Strong Ornette Coleman influence -doesn’t play long enough to really get into anything - but it’s a sweet sound (doesn’t it sound like fuzzy dice and bongos-spaced free variations?)
Ian Underwood Whipt It Out
Ian Underwood Whipt It Out (Live on stage in Copenhagen) (5:08) Underwood is a very good free alto sax player. He whips it out, with, against, around, and under the strict laborious drum beat. Strong Ornette Coleman influence -doesn’t play long enough to really get into anything - but it’s a sweet sound (doesn’t it sound like fuzzy dice and bongos-spaced free variations?)
Side 3
Mr. Green Genes (3:10) A Frankenstein entrance (that’s right -listen) leads into another Zappa specialty - a mode of musical expression he originated on “Absolutely Free” - one of the startling new concepts to evolve during the recent history of Western Civilization - the All-American Rock ‘n Roll Vegetable Song (a dey to all this vegetable nonsense can be found in the nifty 12 page book that accompanies the album - and i quote - “Certain sounds at certain intensities have amazing effects on •plants and vegetables.” (Gosh!)
We Can Shoot You (1:48) This is a delicate avant-garde call and response piece - response to totalitarian demands of the song’s title and/or display of alternate power.